In October 1952, Olmsted replaced Robert Waldrop as the narrator and star of the regional Ohio Story radio and television series. Image courtesy of Hagley Museum and Library Image courtesy of Hagley Museum and Library Olmsted (facing camera) was a popular actor in the early days of television. Nelson Olmsted narrated and acted in over 150 episodes of the Ohio Story television series. The Philco Television Playhouse (1951–52), Kraft Television Theatre (1951–52), Tales of Tomorrow (1952), Hallmark Hall of Fame (1952), Goodyear Television Playhouse (1953), Robert Montgomery Presents (1953–54), Studio One (1954–55), The Phil Silvers Show (1955-59) and NBC Sunday Showcase (1959). Olmsted's appearances during the era of live television began in 1950 with The Chevrolet Tele-Theatre and Lights Out, followed by Schlitz Playhouse of Stars (1951). A small green space on Mason Drive just north of his former home is named Nelson Olmsted Green in honor of Olmsted. So - in the long run - I got to New York, too, and made it as an actor, literally by telling stories! Īt one point, Olmsted lived in Flower Hill, New York, at 243 Mason Drive. Rather than fight, I joined by adapting some of the best stories into plays, selling them to Fred Coe, and playing a part in them - sometimes the lead. Television brought rough competition to the industry. There were a couple of years out for the Army, but even so I managed to tell stories over the Army radio network in Italy. By 1940, the storytelling show was on NBC for a ten-year run. That was way back in 1939 - and it worked. WBAP gave me some time with which to experiment. Especially the work of that great dramatist who never wrote a play - Edgar Allan Poe. The cheapest drama for radio I could think of was good literature, read aloud. What to do about it? Dramatic shows cost money and there were no budgets. By the time I moved to WBAP, in Fort Worth, this security was pulling, and the announcer’s life seemed endlessly sterile. I stayed behind with the security of a radio announcer’s job. Most of them came on to New York, fought the actor’s battle, and made it one way or another. There was the Curtain Club of the University of Texas and Austin’s Little Theatre, and working between them were such aspirants as Zachary Scott, Elaine Anderson Scott, Eli Wallach, Walter Cronkite, Brooks West and Alma Holloway, whom I had sense enough to marry. Now that I think of it, we had a sort of Golden Age of Drama down in Austin, Texas, during those depressed middle thirties. One of these was the LP version of Sleep No More! The album's back cover featured a box in which Olmsted delivered a capsule summary of his life: Today, Olmsted is best remembered for his spoken word recordings released by the Vanguard Recording Society. Within a year, the impact of Black Night catapulted Olmsted to New York, where he was immediately established as NBC's resident storyteller, a position he held for over a decade, beginning with The World's Greatest Short Stories (1939, 1944, 1947) and Dramas by Olmsted (1940–41). Olmsted starred and was heard in a variety of different roles. Produced by Ken Douglass, the series began November 5, 1937, with Edgar Allan Poe's " The Tell-Tale Heart" and then continued on with original scripts by Virginia Wiltten. A review in Radio News took note of the chilling music (by Gene Baugh) and horrific sound effects (by A.M. When he launched Black Night (1937–1939), a late-night 30-minute horror series, it was only a local program, but it created a sensation, with mail arriving at WBAP from ten states. Sometimes billed as Nelson Olmstead, he was best known for an unusual NBC radio series, Sleep No More (1956–57), in which he narrated his own adaptations of terror tales and science-fantasy stories.Īfter study at the University of Texas, Olmsted began in radio in the late 1930s as an announcer for WBAP in Fort Worth, Texas. Nelson Olmsted (January 28, 1914, Minneapolis, Minnesota – April 8, 1992, Torrance, California ) was an actor in films and recordings, and on radio and television, from the 1950s to the 1970s.
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